Troublant.
J’ai la flemme de chercher : t’as des détails sur la réalisation ?
C’est que de la modélisation ou c’est une technique de cinéaste pervers ?
» It is shot on a Nikon D3 (and one shot on a D80), as a series of stills. I used my Tamron 17-50mm f/2.8 and Sigma 50-150mm f/2.8 lenses for all of these shots. Most were shot at 4fps in DX crop mode, which is the fastest the D3 could continuously write out to the memory card. The boats had slower frame rates, and the night shots used exposures up to two seconds each. The camera actually has an automatic cut off after 130 shots, so for longer shots I counted each click and quickly released and re-pressed the shutter release after 130 to keep shooting. »
Je pencherais pour la technique de cinéaste pervers.
Severus Jake
20 h 53 min le 4 mars 2010 Permaliens
Atomichel sont en discussion.
Atomichel 2 h 17 min le 4 mars 2010 Permaliens
Troublant.
J’ai la flemme de chercher : t’as des détails sur la réalisation ?
C’est que de la modélisation ou c’est une technique de cinéaste pervers ?
Molbech Taxbol 12 h 33 min le 4 mars 2010 Permaliens
» It is shot on a Nikon D3 (and one shot on a D80), as a series of stills. I used my Tamron 17-50mm f/2.8 and Sigma 50-150mm f/2.8 lenses for all of these shots. Most were shot at 4fps in DX crop mode, which is the fastest the D3 could continuously write out to the memory card. The boats had slower frame rates, and the night shots used exposures up to two seconds each. The camera actually has an automatic cut off after 130 shots, so for longer shots I counted each click and quickly released and re-pressed the shutter release after 130 to keep shooting. »
Je pencherais pour la technique de cinéaste pervers.
Severus Jake 20 h 53 min le 4 mars 2010 Permaliens
C’est bien une technique de photo perverse.
On appelle ça le Tilt-Shift.
Pour plus de détail : http://en.wikipedia.org/wiki/Tilt-shift_photography